Manifestwo
What is the Institute of Iconography? What
does it stand for if not nothing? Who do we represent? What
do we mean?
Fellow iconographers, friends, enemies, colleagues.
The I of I is quite simply, nothing more
or less than the autochthonic herald of another dimension,
of a new era; the advance guard
of the post-apocalyptic age. We are the last page of a sordid
history, and the preface to the collected works. The I of I
is the first and the last. We therefore claim all icons past
present and future as our natural heritage. We
worship the graven image and place a multitude of idols before
you. All images we
hereby give over to the public domain. In the holey name of
Art we claim all works cloistered in musty museum mausoleums
as our own. All products of starved genius hoarded
in hidden private collections we declare to be the sole property
of the Institute of Iconography.
On
that note we invoke with a resonant Om the ghosts of all previous
movements and traditions. The
modernists, the fauvists, the futurists, the cubists, the
imagists, the vorticists, the paroxists are DEAD. Surrealism
is an hallucination. Post-modernism does not exist. The
I of I declares fuschia, mauve, salmon pink and neon green
to be counter-evolutionary hues. We proclaim
electric purple, anarchist black
and red, cadmium yellow light and the blues as our
favorite colours.
Iconography isn't an ism...it is not an ology...it isn't a schism. Iconography
is graphic. Graphic
in design. Graphic in application. The I of I holds all imagery
to be self-evident and the
plagiarism of images to be a legitimate expression of art
appreciation. To imitate is primate, to originate divine.
No more shall the fruits of genius be the exotic dessert of
a tasteless elite. The I of I shall photocopy
the classics, reproduce the masters and pass them out in the
street.
It is the bold intent of the Institute of Iconography to liberate
all icons from their pedastels, all archetypes from the dungeons
of unconsciousness. We shall restore creative genius to its
rightful place in the Institute where it belongs.
© 2006 Gary
Lee